When I first started in my business, one of the biggest things I worried about was the caliber of my work. After landing work with those early clients, I was afraid that they would hate the final product once it was delivered. I was unsure of my abilities. I was faced with a lot of doubt early on. Although I had plenty of production experience as a college student and as a freelancer, I knew that there was a lot yet to be learned. And I knew that working for someone else on a particular shoot is a lot different than running your own business.
Perhaps you are currently facing a similar situation. You’re passionate about your creative work - whether it be video production, writing, graphic design, web design, etc. - but you’re just getting started and don’t yet have a strong reel or portfolio. You want to make it on your own, but struggle with self confidence. If you’re in this situation, remember the adage, “Never let them see you sweat.”
It may be simplistic to say this, but despite your own fears, you have to maintain a self-assured appearance. Always portray confidence, no matter what. A potential client can pick up on self-doubt from the moment of the first hand shake. Here are a few reminders:
- KNOW YOUR STUFF - When a potential client starts asking you questions about your particular field and what you have to offer, you have to respond in a clear, confident, knowledgeable manner. Read books if you feel as though you need a little more education. Get out there and practice your craft, even if it’s on your own time. Talk to more experienced people in your field and ask them questions about their particular style.
- GET SOME BUSINESS CARDS - It’s professional and it provides your potential client with all pertinent contact information. And if you can, get rid of that email address from your high school years - the one that says “misshottie123@yahoo.com.” You don’t have to have a business domain, but everything about you should be professional.
- GET A REEL - If you haven’t edited a demo reel, do it. Even if all you have are some short films from college, it will give a potential client an idea of your particular style of writing, cinematography, editing, etc. Believe me, in three years you will look back on that first reel and gag with horror as you see the quality of your work, so that’s why it’s crucial that you keep the reel up to date. And always put your contact info on the reel and on the disc label.
- NEVER SAY NO - Some people debate this point, but I think it’s important when you’re first starting out to accept any job, even if you feel as though you don’t have the resources. Go ahead and take the job, then hire others to come on board to help in areas that might be beyond your level of expertise. You can build their cost into the budget, then mark that up 15% as a commission for yourself (after all, it’s your client). There are always a number of available freelancers out there. You just have to know where to look. And working with people more experienced than you will only help you to learn more about your field.
- FREELANCE FOR OTHERS - I did this a lot when I was first starting out. Landing my own clients was a rare occurrence in the early days, so I would jump on board with any other production company hiring freelancers. I worked as a PA, cable wrangler, camera assistant, camera operator, etc. just to fill in the gaps. Once you have built up your own client base, you can slowly cut back on how much you have to work for others.
Remember, the more confidence you demonstrate to your leads, the more inclined they will be to hire you. It won’t be easy. It will be slow and sometimes it will be very discouraging. But don’t let those slow periods drain you of your own self-worth. If you’re passionate enough about what you do, it will pay off.
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